横溝美由紀

YOKOMIZO Miyuki

Biography

Born in Tokyo, Japan in 1968. Received a BFA from the Department of Sculpture at Tama Art University in 1994. Fellowship of the Agency of Cultural Affairs’ Program of Overseas Study for Upcoming Artist.

Since the 1990s, Yokomizo began presenting minimalistic installations in Japan and abroad that emphasize time, space, and light, using plastics and other familiar artificial objects. In recent years, she has been attempting to construct new landscapes by combining installation works and two-dimensional works that reimagine the installation space onto canvas. Major exhibitions include criterium 37 (Art Tower Mito, Ibaraki, 1998), Plastic Age: Art and Design (Museum of Modern Art, Saitama, 1998), Slanting House (Museum of Contemporary Art Tokyo, Tokyo, 2002), Purloined Nature (Kawamura Memorial DIC Museum of Art, Chiba, 2003), Passage to the Future: Art from a New Generation in Japan organized by the Japan Foundation (World Touring Exhibition, 2004-2019), and Landscape: Over the Soft horizon (Pola Museum Annex, Tokyo, 2021), among others.

line 120×120.258.2020, 2020    ©︎YOKOMIZO Miyuki

line 120×120.258.2020, 2020    ©︎YOKOMIZO Miyuki

Biography

Born in Tokyo in 1968. Received a BFA from the Department of Sculpture at Tama Art University in Tokyo. Shortly after graduating from the university, Yokomizo has presented large site-specific installations not only in galleries but also in many museums including Art Tower Mito, the Museum of Modern Art, Saitama, the Museum of Contemporary Art Tokyo, Kawamura Memorial DIC Museum of Art. When she creates three-dimension works, she uses materials such as plastics, transparent tubes, crystals, salt and so on, which are contrary to heavy and solid images of the sculpture. Those works made of light and clear materials make us aware of the existance of uncertain and invisible things we cannot ordinalily perceive. In recent years, Yokomizo has been working on a series of canvas works using threads coated with oil. The works are produced by the traces of oil-coated threads pinched and snapped on canvas over and over again. In that way, a large number of lines on canvas overlaps each other horizontally and vertically and forms the layers like a woven fabric, which reminds of the accumulation of unseen time and actions.

Work

For information about available works, please contact <mail@artozasa.com>

Exhibition

Catalog